Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
the band of stings and horns at the san beneto teatro

ID: 60111

unknow artist the band of stings and horns at the san beneto teatro
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unknow artist the band of stings and horns at the san beneto teatro


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 141. | Still life floral, all kinds of reality flowers oil painting 190 | Classical hunting fox, Equestrian and Beautiful Horses, 203. | Portrait of Alexander Lanskoy, Aide-de-camp to the Empress | Painting of Sisley in the Orsay Museum, Paris |
Related Artists:
FRANCIA, Francesco
Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia
John Tenniel
English Golden Age Cartoonist and Illustrator. (1820-1914) English illustrator and painter. Impatient with the hierarchic structure of the curriculum at the Royal Academy schools in London, he left to follow a less formal education at the Clipstone Street Art Society's life and anatomy classes and in the British Museum's sculpture galleries and Print Room. His research into the history of costume and armour provided material for his early oils of chivalric scenes, which he exhibited at the Royal Academy (1837-42, 1851). Tenniel was among the artists commissioned to decorate the New Palace of Westminster, and he went in 1845 on a state-sponsored trip to Munich to study fresco technique. His contact with the school of Peter Cornelius while there confirmed his emphatic preference for a precisely drawn line.
MASTER of the Avignon School
French Early Renaissance Painter, 15th Century






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